TY - GEN
T1 - 'Cranach Inc.' A Case Study Determining the Nature and Extent of Lucas Cranach the Elder's Involvement in his Industrious Workshop using Image Processing
AU - Lubashevsky, Ruth
N1 - Publisher Copyright:
© 2015 SPIE.
PY - 2015/1/1
Y1 - 2015/1/1
N2 - Lucas Cranach the Elder (LCE) (1472-1553) maintained an organized and highly efficient workshop, served as councilor in Wittenberg from 1519-1544, established a publishing house in 1520, held a pharmacy from 1520, and served as mayor of Wittenberg from 1537 to 1543. He was known as the 'swiftest of painters,' resulting in 1,000 surviving panel paintings, canvas paintings, drawings, and etchings in a career that spanned 53 years (1500-1553). Facing this astoundingly enormous oeuvre, the question that this paper seeks to answer is unavoidable: what was LCE's involvement in this oeuvre, which most is still attributed to him, in light of his many other time-consuming engagements? To answer this question, this paper becomes a study of stylistic comparisons of LCE's oeuvre, in order to assess, analyze and identify his style to determine whether all of the works attributed to him were indeed his own handiwork. Classifying LCE's style, together with the fact that he ran his workshop in factory-like conditions, supplying his apprentices with pigments, designs they could trace, copies, modelling versions, and patterns, making him an artist turned businessman, LCE becomes an artist who turned art into an industrial operation, earning the title 'Cranach Inc.' The conclusion of this paper will be based inter-alia on comparisons between Infra-red images and the visible paintings, in order to undermine the established attributions made to LCE.
AB - Lucas Cranach the Elder (LCE) (1472-1553) maintained an organized and highly efficient workshop, served as councilor in Wittenberg from 1519-1544, established a publishing house in 1520, held a pharmacy from 1520, and served as mayor of Wittenberg from 1537 to 1543. He was known as the 'swiftest of painters,' resulting in 1,000 surviving panel paintings, canvas paintings, drawings, and etchings in a career that spanned 53 years (1500-1553). Facing this astoundingly enormous oeuvre, the question that this paper seeks to answer is unavoidable: what was LCE's involvement in this oeuvre, which most is still attributed to him, in light of his many other time-consuming engagements? To answer this question, this paper becomes a study of stylistic comparisons of LCE's oeuvre, in order to assess, analyze and identify his style to determine whether all of the works attributed to him were indeed his own handiwork. Classifying LCE's style, together with the fact that he ran his workshop in factory-like conditions, supplying his apprentices with pigments, designs they could trace, copies, modelling versions, and patterns, making him an artist turned businessman, LCE becomes an artist who turned art into an industrial operation, earning the title 'Cranach Inc.' The conclusion of this paper will be based inter-alia on comparisons between Infra-red images and the visible paintings, in order to undermine the established attributions made to LCE.
KW - Art History
KW - Attribution
KW - Connoisseurship
KW - Image Processing
KW - Lucas Cranach the Elder
UR - http://www.scopus.com/inward/record.url?scp=84954064750&partnerID=8YFLogxK
U2 - 10.1117/12.2184731
DO - 10.1117/12.2184731
M3 - Conference contribution
AN - SCOPUS:84954064750
T3 - Proceedings of SPIE - The International Society for Optical Engineering
BT - Optics for Arts, Architecture, and Archaeology V
A2 - Pezzati, Luca
A2 - Targowski, Piotr
PB - SPIE
T2 - Optics for Arts, Architecture, and Archaeology V
Y2 - 24 June 2015 through 25 June 2015
ER -