Abstract
Dana International, the Israeli transsexual pop Diva who won the Eurovision Song Contest in 1998, has made a profound impact on Israeli gender culture through her performative, textual, and political interventions. This chapter examines this impact from a number of perspectives: Dana’s substitution of a glam-orous image of transsexuality for the older abject representations; the contestation of the medical paradigm of transsexuality implicit in her affirmation of a transsexual identity and continuing affiliation with the gay community; her subversion of the Zionist gender project of reforming Jewish masculinity; and her rejection of the clear-cut distinction between gay men and transsexuals (hence, between gender identity and sexual identity) that underpins contemporary gay identity.
Original language | English |
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Title of host publication | Queer Popular Culture |
Subtitle of host publication | Literature, Media, Film, and Television |
Editors | T. Peele |
Publisher | Palgrave Macmillan |
Pages | 119-135 |
Number of pages | 17 |
ISBN (Electronic) | 9780230604384 |
ISBN (Print) | 9781403974907 |
DOIs | |
State | Published - 1 Jan 2007 |
Externally published | Yes |
ASJC Scopus subject areas
- General Social Sciences
- General Arts and Humanities