Identity and Interpretation: Receptions of Toulouse-Lautrec's 'Reine de joie' Poster in the 1890s

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Abstract

The ideology of the inexhaustible work of art, or of “reading” as re-creation, masks—through the quasi-exposure which is often seen in matters of faith—the fact that the work is indeed made not twice, but a hundred times, by all those who are interested in it, who find a material or symbolic profit in reading it, classifying it, deciphering it, commenting on it, combating it, knowing it, possessing it.
Pierre Bourdieu.
Original languageEnglish
Pages (from-to)56-73
Number of pages17
JournalNineteenth century art worldwide
Volume8
Issue number1
StatePublished - 2009

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