Abstract
This article examines the discourses of streaming success within the television industry by focusing on Netflix and two of the service’s original series: Fauda and La Casa de Papel. Using publicly available secondary data through 2019, this analysis argues the transnational platform’s efforts to redefine successful television while maintaining a high level of data secrecy necessitate the discursive construction of a global and undifferentiated audience. Yet, rather than representing a break with the past, the discourses of streaming success reveal Netflix to be a television institution attempting to address traditional industry challenges.
| Original language | English |
|---|---|
| Pages (from-to) | 81-100 |
| Number of pages | 20 |
| Journal | Critical Studies in Television |
| Volume | 18 |
| Issue number | 1 |
| DOIs | |
| State | Published - 1 Mar 2023 |
| Externally published | Yes |
Keywords
- Fauda
- La Casa de Papel
- Netflix
- Television industry
- global television
- media industry studies
- streaming
ASJC Scopus subject areas
- Cultural Studies
- Communication