THE FRONTLINE AS PERFORMATIVE FRAME: AN ANALYSIS of the UK COVID CRISIS

Sara Farris, Nira Yuval-Davis, Catherine Rottenberg

Research output: Contribution to journalArticlepeer-review

7 Scopus citations

Abstract

In this paper, we examine the multiple significations of the “frontline” metaphor in the UK during the first ten months of COVID-19. We argue that the term “frontline” has operated as a performative frame, which has helped to produce the very notion and the materialization of the “COVID-19 frontline” and keyworkers. Showing how the UK government has repeatedly cited this metaphor, we outline the contradictory effects it has generated through an interplay of hyper-visibility and opaqueness. The frontline metaphor has been used to justify the government's injection of massive amounts of public money into the economy, render hyper-visible workers who had previously been invisible, whilst generating a sense of civic responsibility. Simultaneously, however, the metaphor has created a smokescreen for corrupt practices, deflecting attention away from resource-starved health and social care infrastructures and intensifying forms of “everyday bordering” and “everyday racism” that deepen structural injustices in the UK.

Original languageEnglish
Pages (from-to)284-303
Number of pages20
JournalState Crime Journal
Volume10
Issue number1
DOIs
StatePublished - 1 Jan 2021
Externally publishedYes

Keywords

  • COVID-19
  • Frontline
  • Keyworkers
  • Metaphor
  • National belonging
  • Performative frame
  • UK

ASJC Scopus subject areas

  • Management, Monitoring, Policy and Law
  • Law

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