The Masonic Career of a Kabbalistic Lithograph: Max Wolff, "Origin of the Rites and Worship of the Hebrews" (New York, 1859)

Peter Lanchidi

Research output: Contribution to journalArticlepeer-review

Abstract

This article presents the Masonic career of a kabbalistic lithograph in the United States in the middle of the 19th century, against the background of a sectarian debate that concerned the religious character of Freemasonry. In their struggle for equality, Jewish Freemasons took advantage of the Solomonic heritage of Masonic mythology and advocated a Jewish origin for the fraternity, in which Kabbalah assumed a role of providing esoteric underpinnings for this narrative. The article shows that within the wider historical framework of Jewish-Christian relations, the kabbalistic lithograph became a tool in the hands of Jewish Freemasons in a Masonic sectarian debate.
Original languageEnglish
Pages (from-to)191-218
JournalJewish studies quarterly
Volume28
Issue number2
DOIs
StatePublished - 2021

Fingerprint

Dive into the research topics of 'The Masonic Career of a Kabbalistic Lithograph: Max Wolff, "Origin of the Rites and Worship of the Hebrews" (New York, 1859)'. Together they form a unique fingerprint.

Cite this