The Music of the Prose Takes Place in Silence: Sound, Fury, and Faulkner's Negative Audition

The last decade witnessed a blooming interest in Faulkner's soundscapes, but his conceptualization of readerly listening has yet to be thoroughly discussed. This essay argues that, in The Sound and the Fury, Faulkner cultivates a specific phenomenology—a negative audition—in his reader that holds an ethical valence: an attunement to sonic stimuli, which one is socially and bodily taught to register as inaudible. These internal readerly guidelines paradoxically advance a reading of Faulkner's novel against its own racial bias.