To Play the Fool: The Book of Esther in Early Modern Biblical Drama

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

In her chapter, Chanita Goodblatt discusses English, German and Yiddish dramatisations of the Book of Esther. She focuses specifically on the performative dimensions of the Fool, enacted through two different dramaturgical strategies: in comic interludes; or inserted directly into the narrative. Goodblatt discusses the Fool as an exemplar of the Bakhtinian carnivalesque, enacted through parodic language and embodying (in the material and corporeal aspects of its performance) his ultimate authority as incisive commentator on monarchy, family, and religious tradition.
Original languageEnglish GB
Title of host publicationEnacting the Bible in Medieval and Early Modern Drama
EditorsEva von Contzen, Chanita Goodblatt
Place of PublicationManchester
PublisherManchester University Press
Pages232-251
ISBN (Print)9781526131591
StatePublished - 2020

Publication series

NameManchester Medieval Literature and Culture
Volume31

Fingerprint

Dive into the research topics of 'To Play the Fool: The Book of Esther in Early Modern Biblical Drama'. Together they form a unique fingerprint.

Cite this