Abstract
The Instagram account @eva.stories went online on May 1, 2019, during the official Holocaust Martyrs’ and Heroes’ Remembrance Day. It attracted millions of people to watch a digital adaptation of Eva Heyman’s diary, written by a thirteen-year-old Jewish Hungarian girl who died in Auschwitz. The project was much debated, and critics claimed that an Instagram account of a girl murdered in the Holocaust is a downgraded way to commemorate the Holocaust. However, @eva.stories, like other mediated techniques with which people commemorate Holocaust-related stories, is shaping contemporary Holocaust memory. As such, understanding @ eva.stories can help uncover new elements of Holocaust memory in the “Instagram era.” In this short report, @eva.stories is further contextualized using a few of Andrew Hoskins’s core assumptions regarding the “memory of the multitude.” This review reveals how new mediated practices of Holocaust remembrance change how we engage with and remember Holocaust-related narratives.
| Original language | English |
|---|---|
| Pages (from-to) | 217-225 |
| Number of pages | 9 |
| Journal | Jewish Film and New Media |
| Volume | 8 |
| Issue number | 2 |
| DOIs | |
| State | Published - 1 Sep 2020 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 16 Peace, Justice and Strong Institutions
ASJC Scopus subject areas
- Cultural Studies
- Communication
- Visual Arts and Performing Arts
- Anthropology
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