Abstract
Although social workers are thoroughly trained in social change and systemic theories, they find it hard to initiate social change activity around their own professional status. As social work is a predominantly female profession, this ambivalence over direct social confrontation can be understood as an expression of gendered roles, showing women's cultural conditioning toward less direct resistance, higher cooperation, and not wishing to draw attention to themselves in the public sphere. The question is how to address this reality in social work education. This chapter will present a single qualitative case study whose aim is to illustrate and discuss a methodology for working with art to empower social workers to fight for their own rights. The study used an arts-based experiential group model that includes an 'internal' reflective stage and an external stage-creating a joint art installation. These two stages will be described in terms of the use of art as a feminist methodology enabling an indirect and thus less threatening form of social resistance for female social workers.
| Original language | English |
|---|---|
| Title of host publication | Art in Social Work Practice |
| Subtitle of host publication | Theory and Practice: International Perspectives |
| Editors | Ephrat Huss, Eltje Bos |
| Place of Publication | London |
| Publisher | Routledge |
| Chapter | 9 |
| Pages | 109-117 |
| ISBN (Electronic) | 9781315144245 |
| ISBN (Print) | 9780367584290, 9781138501249 |
| DOIs | |
| State | Published - Oct 2018 |
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