Abstract
Israeli posters created during the first three decades of statehood express ideas central to constructing national identity. The article argues that posters produced by the state and its official agencies show the complex relationship between democracy and Judaism, as well as gender and ethnic difference. Democracy was represented by manifestations of modernity, progress, gender equality, and ethnic difference; religious symbols and narratives represented Judaism. These elements were visually integrated in posters, and express the complexities of Israeli democracy, as well as changing attitudes towards difference and Judaism. The article demonstrates that designers enlisted sophisticated means of both abstract and figurative artistic devices to mediate these ideas, making a significant contribution to the construction of Israeli visual culture.
Original language | English |
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Pages (from-to) | 48-76 |
Number of pages | 29 |
Journal | Israel Studies |
Volume | 22 |
Issue number | 3 |
DOIs | |
State | Published - 1 Sep 2017 |
ASJC Scopus subject areas
- Cultural Studies
- History
- Anthropology
- Sociology and Political Science
- Political Science and International Relations