Abstract
Mimouna is a North-African Jewish festival, which in the past symbolized good neighborly relationships between Jews and Muslims. Today, however, this festival has transformed into a neutralized interfaith encounter, resembling a culinary-focused musical show. The particular event explored in this case study was organized by an Israeli Reform Jewish congregation, which is a non-Orthodox liberal Jewish denomination. In this event, the congregation strived to reconceptualize the diasporic concept of this festival. In effect, the performance is a cultural appropriation that reveals the failures to turn this tolerant vision into a current local political reality. The performance is constructed as a marketing script to brand Reform Judaism's liberal ideology agenda and its sociopolitical position in Israeli society. The endeavor to establish the Mimouna as a safe space for fostering interreligious discourse and dialogue exposed its ideological vulnerability, thus bringing to the forefront the conflictual relationship between the Jewish and Muslim Arabs in Israel.
Original language | English |
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Article number | 20230015 |
Journal | Open Cultural Studies |
Volume | 8 |
Issue number | 1 |
DOIs | |
State | Published - 1 Jan 2024 |
Externally published | Yes |
Keywords
- Israel
- Mimouna
- Reform Jewish congregations
- coexistence
- ethnography
- performance
- safe space
- utopian performativity
ASJC Scopus subject areas
- General Arts and Humanities
- General Social Sciences