Abstract
This study suggests that the word maśkll in the heading of a psalm is a musical instruction that denotes a specific responsive mode of performance defined as complex antiphony because it involves the gathering of distant segments of the text through a dialogue between choirs, each singing a different section of the edited song. This premise is supported by the use of pi'el śkl to express an unusual (crossed) bonding (Gen. 48:14), testimonies in Chronicles about difficulties in the execution of this mode of performance, the mention of śekel/maśkll in psalms specifically designed for complex antiphony, and the intellectual effort required to apprehend the meaning that emerges from such a dialogic mixing of claims, itself echoed by other uses of the Semitic root śkl.
Original language | English |
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Pages (from-to) | 41-57 |
Number of pages | 17 |
Journal | Ancient Near Eastern Studies |
Volume | 53 |
DOIs | |
State | Published - 1 Jan 2016 |
Keywords
- Complex antiphony
- Ezrahites
- Musical worship
- Psalm heading
- Śkl semitic root
ASJC Scopus subject areas
- Classics
- Archaeology
- History
- Visual Arts and Performing Arts
- Archaeology
- Literature and Literary Theory