TY - JOUR
T1 - “WHAT IS RIGHT AND REAL – IS THE STORYTELLING”
T2 - MASCULINITY, MEDIA AND CREATIVITY
AU - Aharoni Lir, Shlomit
AU - Ayalon, Liat
N1 - Funding Information:
Israeli Ministry of Science and Technology. Fund no. 3-15664 GENDER NET PLUS – GENDER-NET Plus has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No [741874].
Funding Information:
Israeli Ministry of Science and Technology. Fund no. 3-15664 GENDER NET PLUS ? GENDER-NET Plus has received funding from the European Union?s Horizon 2020 research and innovation programme under grant agreement No [741874].
Publisher Copyright:
© 2022 The Author(s).
PY - 2022/4/19
Y1 - 2022/4/19
N2 - The stereotypical view of creativity as an emblem of youth, and old age as a signifier of decline can hold grave consequences for filmmakers in the second half of life, as this misconception can result in negative attitudes, a decline in media coverage, and less funding for film production. Thus, ageing male film directors might face a collisional intersection, when the gender-based status that provides social privileges, meets with older age-based status, which leads to social weakening. This qualitative study explored the means which male directors in the second half of life use to remain creative and make films in an ageist, vastly changing world. The study is based on a dataset of transcribed semi-structured interviews with 13 well-known Israeli male directors over the age of 55. The findings led to the formation of a model of creativity in older age, which consists of the following six pathways: inspiration, adaptation, innovation, preservation, circumvention and imagination. While some of the interviewed directors emphasized their ability to change and adapt to the new cinematic world, others adhered to their old filmmaking language. The understanding of the cinematic creation as based upon the art of storytelling was common among both “camps”.
AB - The stereotypical view of creativity as an emblem of youth, and old age as a signifier of decline can hold grave consequences for filmmakers in the second half of life, as this misconception can result in negative attitudes, a decline in media coverage, and less funding for film production. Thus, ageing male film directors might face a collisional intersection, when the gender-based status that provides social privileges, meets with older age-based status, which leads to social weakening. This qualitative study explored the means which male directors in the second half of life use to remain creative and make films in an ageist, vastly changing world. The study is based on a dataset of transcribed semi-structured interviews with 13 well-known Israeli male directors over the age of 55. The findings led to the formation of a model of creativity in older age, which consists of the following six pathways: inspiration, adaptation, innovation, preservation, circumvention and imagination. While some of the interviewed directors emphasized their ability to change and adapt to the new cinematic world, others adhered to their old filmmaking language. The understanding of the cinematic creation as based upon the art of storytelling was common among both “camps”.
KW - ageism
KW - cinema
KW - communication
KW - creativity
KW - filmmaking
KW - masculinit
UR - http://www.scopus.com/inward/record.url?scp=85127938705&partnerID=8YFLogxK
U2 - 10.3846/cs.2022.15383
DO - 10.3846/cs.2022.15383
M3 - Article
AN - SCOPUS:85127938705
SN - 2345-0479
VL - 15
SP - 348
EP - 363
JO - Creativity Studies
JF - Creativity Studies
IS - 2
ER -